和太鼓という楽器と、八丈太鼓という演奏スタイル、音楽というもの、それをめぐるぼくらのグルーブな日常について できるだけ面白おかしく分かりやすく書いています。 沢山の人に読んでもらうのを過剰に意識してますが、まったく高尚なものではなく、疎にして雑。目くじら立てずに読んで下さい。
 This is personal blog I write about wa-taiko, Japanese drum, style of Hachijo-taiko, music itself and our groovy lives. I write them with humor, amusing way and easy for understanding as much as possible. I am conscious in large in surplus, but it is not so lofty, might be miscellaneous. Please don't flay and do enjoy to read.

2014年7月20日日曜日

Tatete-uchi



nekase-uchi : The moment of attack, the angle between taiko's face and bachi(stick) is close to 0 degrees.
tatete-uchi : The moment of attack, the angle between taiko's face and bachi(stick) is close to 90 degrees.

 First of all, I have to say I am not saying your play style is wrong, even if you do 'nekase-uchi' when you play taiko. I am writing this very nervously, because most of taiko player from professional to amateur seem to play it by 'nekase-uchi'.

 Do 'tatete-uchi', I have been coached from my master from beginning. 
Depending on style and music, nobody say which 'nekase-uchi' or 'tatete-uchi' better is, but I think 'tetete-uchi' is rational for making sound, and the way you feel less physical stress, especially on your wrists.

 Because of playing taiko long time, player got wrist pain or sever inflamed of wrists , I have heard often. I think 'nekase-uchi' might cause such sympton.

 Meanwhile, I and my friends who is doing 'tatete-uchi' sytle have not gotten such experience for almost 10 years.
 'Tatete-uchi' allows you make taiko's variable sounds, anyway. 
With Tatete-uchi, bachi attacks pinpoint on face of taiko and can make sharp(keen?) sounds according with your handling such as swinging and hitting of the play.

 Let's try as much as you are forgiven with your master and the traditional style that you are learning.
'Tatete-uchi' might be little bit difficult until you got used to it, but there are variable things, if you grab! 







0 件のコメント:

コメントを投稿